By following an organic logic of the natural order, with its cycles of creation, evolution, decay, and renewal, Nguyen has developed a reductive, visual vocabulary in his sculpture that transcends the cold, rigid, intrinsic traits of glass and steel. His works begin with modular elements, which are then assembled into graceful, dynamic, forms to create visual rhythms and repetitions. On a primordial realm, these geometric shapes, with their implied curvilinear structures, resemble plant cells or crustacean life forms.